Wednesday, November 20, 2013

Sunglass: Rituparno’s magic lenses and what wasn’t so magical after all

Shot in 2005, Sunglass (Taak Jhaank in Hindi) never saw a theatrical release during Rituparno Ghosh’s lifetime, and the grapevine has it that the filmmaker had a row with Planman Motion Pictures, which held up the film until the state government intervened and premiered it at the 19th Kolkata International Film Festival. Whenever I asked him about Sunglass, Rituparno was visibly annoyed, and asserted, ‘I am not bothered whether the film is released or not; I have outgrown that phase of my career long back…I do not make such films anymore…’ Yet, Sunglass is his most light-hearted film; his sense of humor, which informs many of his serious films, imbues almost every frame with a delightfulness which is indeed rare. Towards the end of his career, Rituparno was gradually shifting into darker themes and controversial subjects and the ‘merrymaking’ in Sunglass appeared escapist to him. Discourses on death, loneliness, betrayal, parallel sexualities, and the pains of inhabiting the periphery undercut his later films in such a way that happy endings had begun to appear much too Utopian to him...

Read more: 

http://www.cinemachronicles.in/rituparno-ghoshs-sunglass-review/

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